Photo mysteries

Tags

1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, capping, Christchurch, food science, Helensburgh, languages, Maori, medicine, microbiology, physical education, recreation, St Margaret's

This is a plea for help! Today’s post is rather different from previous ones. I’m posting some photographs I’d like to know more about. Some have appeared on the blog previously, while others are new. They’re all interesting images that I’m thinking of including in the University of Otago history book, and it would be great to have more details before they appear in print. Do you recognise any of the people or places or activities, or can you help with missing dates? If so, I’d love to hear from you, either by a comment on this post, or by email or letter (the ‘about’ page has a link to my university staff page with contact details).

I’ve gathered lots of images from archival, personal and departmental collections over the last few years, but I’m still short in some areas. In particular, I’m keen to locate photos relating to activities involving the commerce division/school of business and the humanities division (though I have a good supply of photos for the languages departments). Zoology, maths and psychology are other departments I’d like to find more images for. Where more general images of student life are concerned, I’d love to find a few photos relating to life in student flats and to lodgings and landladies. I have plenty of capping parade photos, but some other photos of student activities would be great. Overall, the 1980s are a bit of a gap in my lists of potential illustrations, so I’m on the lookout especially for anything from that decade, and to a lesser extent the 1960s, 1970s and 1990s. Another major gap is for images relating to the Christchurch, Wellington and Invercargill campuses. If you have any interesting photos you would be willing to lend to the project, please do get in touch!

Now, on with the mystery photos …

1. Gentlemen dining

Image courtesy of the Hocken Collections, Irvine family papers, MS-4207/006, S16-669a.

These gentlemen, about to indulge in a little fine dining at the Christchurch Club, have connections to the early years of the Christchurch Clinical School (now the University of Otago, Christchurch). Those I have identified so far were either senior Christchurch medical men or Otago administrators and members of the Christchurch Clinical School Council. That council was organised in 1971 and met for the first time in 1972. Max Panckhurst, an Otago chemistry professor who was on the council, died in 1976, so the photo must date from before that, and since it also features Robin Williams, who completed his term as Otago Vice-Chancellor in 1973, it probably comes from the early 1970s. Do you know the exact occasion or year?

The men I have identified are, starting from Max Panckhurst, who is closest to the camera with fair curly hair, and working clockwise: LM Berry, Carl Perkins, George Rolleston, Robin Williams, Leslie Averill, Alan Burdekin (Christchurch Club manager,standing), Bill Adams, LA Bennett, Robin Irvine, unknown, unknown, Pat Cotter (partly obscured), D Horne, Don Beaven, unknown, Fred Shannon, Athol Mann, JL Laurenson. Do you recognise anybody else? Or have I got any of these wrong? Some other potential candidates, who were also on the Clinical School Council, are EA Crothall, DP Girvan, TC Grigg and CF Whitty.

2. Burgers

Were you a Burger? After I published a story about Helensburgh House, a student hall of residence in the former Wakari nurses’ home, I met up with Glenys Roome, who had been its warden. She kindly shared some photos, including these three. Helensburgh House ran from 1984 to 1991 – I’d love to identify which year these were taken, and perhaps some names!

 

3. The missing singer

Photo courtesy of Michael Shackleton.

All but one of the members of the 1952 sextet in this photo are identified – can you help with the full name of the young man third from left? His first name was John. The lineup was, from left: Linley Ellis, Richard Bush, John ?, Keith Monagan, Michael Shackleton, Brian McMahon. The story of the sextet featured in an earlier post.

4. On the rocks

Image courtesy of the Hocken Collections, Otago University Tramping Club records, 96-063/036, S15-592b.

This is one of my favourite photos – it’s already featured on the blog a couple of times and is sure to end up in the book! In the original tramping club album it is identified as being at Mihiwaka, but somebody kindly pointed out when I posted about the tramping club that this is most likely taken from Mount Cargill. Do you recognise this spot? And can you identify any of the 1946 trampers?

5. Phys-eders

The School of Physical Education, Sport and Exercise Sciences has kindly shared some of their photo collection. The photograph on the beams was taken in the 1970s – were you there, and do you know the exact year? How about the others – any ideas where and when they were taken, or who the people are? I published a post about the early years of the phys ed school in an earlier post, and there are photos on that I’d love to have more information about too, so please take a look!

6. Te Huka Mātauraka

Photo courtesy of the Māori Centre

This photo was taken outside the Māori Centre, Te Huka Mātauraka, in 2002 and featured in a post about the centre. Can you identify anybody?

7. Microbiologists

Image courtesy of the Hocken Collections, Department of Physiology records, r.6681, S16-521c.

This photograph is a good example of the value of this blog. In the original, the man is identified as Franz Bielschowsky, of the cancer research laboratory. When I included it in a story featuring Bielschowsky, people informed me that the man here is actually Leopold Kirschner, a microbiologist working in the Medical Research Council Microbiology Unit. It was probably taken in 1949. Typically for that period, the female assistant is not named – do you know who she is? What, exactly, are they doing? I suspect health and safety procedures have changed since then!

Image courtesy of the Hocken Collections, University of Otago Photographic Unit records, MS-4185/042, S15-500d.

Here’s another microbiology-related photo, taken during the first hands-on science camp in 1990 – it featured in an earlier post about hands-on science. Can you identify any of these high school students? I’m curious to know if any of them ended up as University of Otago students!

8. The St Margaret’s ball

Image courtesy of Peter Chin.

This photograph, taken at an early 1960s St Margaret’s ball, featured in a story about Chinese students at Otago. At centre front are Jocelyn Wong and Peter Chin – can you identify anybody else? Exactly which year was it?

9. Picnickers

 

Image courtesy of Alexander Turnbull Library, Ref: 1/2-166716-F. http://natlib.govt.nz/records/22884184

The Latin picnic was a popular event in the early twentieth century. This photo was taken at Whare Flat in 1932 – it featured in an earlier post about writers at the university. People identified so far include Dan Davin, on the far right, with Angus Ross in front of him and Christopher Johnson to Davin’s right. Other students include Frank Hall (back left), Winnie McQuilkan (centre front) and Ida Lawson (in dark jacket behind her). The Classics staff, Prof Thomas Dagger Adams and Mary Turnbull, are at front left. Can you identify anybody else?

10. In the food science lab

I featured these mystery photos quite some time ago on the blog, and people have identified Rachel Noble, a 1980s student, as the woman in the centre of the bottom image. The food scientists tell me these students were in the yellow lab, possibly working on an experimental foods course or the product development course run by Richard Beyer. Can you help with the date, or identify any of the other students?

Images courtesy of the Hocken Collections, from the archives of the Association of Home Science Alumnae of NZ, MS-1516/082, S13-556b (above) and S13-556c (below).

 

I have quite a few other photograph puzzles, but will save those for future posts!

Update

Thanks very much to those of you who have identified some of the mystery people already – yay! And thanks for the kind offers of further photographs. For those with photographs, here are a few instructions. If they’re already digital, that’s great. If you are scanning them, it would help if you make them high resolution (say 300dpi), preferably in TIFF format, but JPEGs are okay. If they are hard copy, I’m happy to scan them for you if you’re willing to lend them to me – I promise to return them promptly. I can pick up items if you’re in Dunedin, otherwise you can post them to me (it’s probably easiest if you send them to Ali Clarke, c/o Hocken Collections, University of Otago, PO Box 56, Dunedin 9054). Remember if you’re sending images that you need to be willing for them to appear, potentially, in the new university history book (due out 2019) or on this blog! I’ll send you a form to sign granting permission for their use in university publications. Any published photos will be attributed to you; do let me know if there’s a photographer I should clear copyright with as well. Thanks 🙂

 

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A chorus of laughs – the Sextet

Tags

1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, capping, graduation, music

The 1962 Sextette in traditional clown costume. Back from left: Doug Cox, Alastair Stokes, Terry Wilson, Peter Chin. Front: Roger McElroy, Gus Ferguson (pianist), Ian Robertson. Photo by de Clifford Photography, courtesy of Peter Chin.

The Sextet has been entertaining audiences at Otago’s capping show with beautifully-sung and witty words for over a century. Given its tendency to come close to the line – and sometimes to cross it – with offensive subject material, it seems only appropriate that its origins were not ‘politically correct’. The capping show itself dates back to 1894, when the University of New Zealand authorities banned public graduation ceremonies after becoming fed up with riotous student behaviour at these supposedly formal occasions. That prompted students to develop their own capping carnival of dances, concerts and processions, while the official graduation ceremony, when reinstated, became a much more seemly affair.

The capping concert soon became a hit with both students and the public, offering amusing commentary on the life and personalities of the university in particular, sometimes extending to the rest of Dunedin and the wider world. Alternative lyrics set to popular tunes were one of its standbys. One of the Sextet’s most famous old boys, conductor and composer Tecwyn Evans, researched its history as an honours project in 1993. He traced its origins to the appearance of ‘Coon’s Quartette’ at the 1903 capping concert. Presumably they made themselves up in ‘blackface’, then popular but later heavily criticised for its racist stereotypes. A review of the 1905 capping concert noted that ‘a coon tableau and a cake walk by a quartet of coloured gentlemen went well’.

The 1903 quartet was followed by various 4 or 5-man combinations, with the first 6-man singing group appearing in 1912. By 1919 the Sextette (as it was known until 1966, when it became the Sextet) was a regular feature of the capping concert, famous for its cheeky words sung with angelic voices. An ODT review of the 1923 concert noted ‘their rendering of topical verses was to many the very best item of the evening. In their first appearance they made play behind great song books of ’Varsity blue. Their songs when they appeared in evening dress in the second half were particularly clever and most amusing as one after another unburdened himself of the confession of the murder of some professor or other equally undesirable person. They also successfully burlesqued the Sistine Choir, and were rewarded with the most prolonged and emphatic applause of the evening’. The tradition of appearing in clown costume for some items and in evening dress for others quickly developed, though occasionally they branched out into other outfits.

The 1948 Sextette dressed as Victorian clergy to fit in with the theme of the capping show, ‘Dunover, or Cargill Rides Again’ (in honour of the centenary of the Otago colony). Left to right: Ninian Walden, John Somerville, Linley Ellis, Brian Neill, Ritchie Gilmour, Michael Shackleton. Photo courtesy of Michael Shackleton.

The Sextet, like the capping carnival, took a break during World War II. When the concert recommenced in 1945, getting traditions going again with no experienced seniors to help proved tricky. Concert director David Cole (future dean of the Auckland medical school) noted that ‘we could only find a quartette the first year but the sextette has reigned supreme again since then’.

The 1952 Sextette, from left: Linley Ellis, Richard Bush, John ?, Keith Monagan, Michael Shackleton, Brian McMahon. Photo courtesy of Michael Shackleton.

Writer James K. Baxter, who was Burns Fellow at Otago in 1966 and 1967, was a fan of capping shows, ‘chiefly on account of their vigour and their freedom of satire, both of which the country sorely needs’. In a review in the notorious but short-lived student publication Falus, he commended the 1967 production as more sophisticated than usual, though it did mean that ‘the sheer drive of spontaneous gutsiness was not so strong’. Fortunately, the ‘casual energy of Sextet provided a counterpoint’. Their performance included a ‘Geering interlude’ – presumably a commentary on the well-known theology professor, who was tried for heresy that year – among other things. ‘The alternation of wide-open satire with straight singing broadened their presentation … I think they were indispensable’, wrote Baxter.

The 1959 Sextette in action. Back from left: Bob McKegg, Jim Cleland, Alastair Brown. Front: John Burton, Peter Chin, Meikle Skelly. Peter Foreman was the pianist. Photo courtesy of Peter Chin.

Members of the Sextet were chosen for their vocal skill. Shy young first-year law student Peter Chin headed along to the audition for the large capping chorus with some friends from school in 1959. At the audition, talent-spotters suggested he should audition for the Sextet, and he was to sing with them for 3 of his 5 years at university. Becoming part of this elite group provided him with an instant introduction into student society. Chin – a future mayor of Dunedin – later became a well-known performer in local productions. The abilities of the Sextet have, naturally, varied from year to year, but there are some very famous names among the old boys, with vocal stars Roger Wilson, Martin Snell, Simon O’Neill and Jonathan Lemalu all lending their talents to the group during their university days. Although the performances have been a cappella for many years, in the past the group had a piano accompanist, and generally sang in unison rather than with the harmonies which became a feature during the 1970s.

The lyrics, also, varied in quality from year to year; sometimes the Sextet wrote the words themselves, and sometimes they received help from others. An anonymous article in a 1991 graduate publication noted that the content varied ‘from the traditional to the topical and from the harmless to the emphatically unsuitable’. Certainly the level of sexual innuendo in the lyrics grew and became more explicit, and in 2010 Rape Crisis criticised the Sextet for trivialising rape and sexual abuse in some lyrics.

Because the capping stage was open to men only until 1947, the Sextet started as an all-male group, and so it determinedly remained. In 1966 the show featured an all-female vocal group, named the Sextette, in addition to the all-male Sextet, but it proved a one-off. The ODT reported that ‘the girls do a good job, but their voices are not strong enough and most of their words are lost’. Finally, in 2001, a new female a cappella group – the Sexytet – debuted at the capping show, becoming a regular feature. The women’s group, which settled on ‘1950s housewife’ costumes, performed witty and smutty songs in beautiful harmonies, as in Sextet tradition.

The 1963 Sextette enjoying themselves backstage. Back from left – Terry Wilson, Jenny Black, Peter McKenzie, Alistair Wright. Front – Gus Ferguson (pianist), John Sayers, Peter Chin, Bob Salamonsen. Photo by Alan Stuart, courtesy of Peter Chin.

Through the years the Sextet has provided a lot of laughs to a lot of people. And, though they often put in a lot of work practising, the singers have clearly enjoyed themselves very much too (with a notable exception in 1993, when they were pelted with beer cans when performing as a warm-up act before a rugby test match at Carisbrook). Video of performances by Sextets and Sexytets of recent years can be found on Youtube – viewer discretion is definitely advised!

The 2014 Sextet. Through the years the clown hats have been lost, but more make-up added. Photo by Daniel Chew, courtesy of OUSA.