The childcare revolution

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1950s, 1960s, 1970s, 1980s, 1990s, 2010s, childcare, women

The crèche in its original premises in the old All Saints Church Hall. The notes on the back of this photo are difficult to decipher. The voluntary helpers are identified as Vivienne Moss (although that name is crossed out) and Jenny Heath. The child facing the camera at the centre is Rebecca, with Rachael nearest the camera. Please get in touch if you can confirm any names! Photo courtesy of the Otago University Childcare Association.

There is one organisation affiliated to the university which, although unknown to some students and staff, has had a big impact on the institution since it began nearly 50 years ago: the Otago University Childcare Association (OUCA). During the university’s first century there were few women academics, even fewer married women academics and scarcely any with young children. Microbiologists Margaret and John Loutit arrived at Otago from Australia in 1956; Margaret obtained part-time work as a botany demonstrator and then microbiology lecturer while working on a PhD. As a working mother she encountered considerable criticism. Her salary was mostly absorbed in paying for private childcare, but her hard work was rewarded with the completion of her PhD in 1966; she then became a full-time academic and eventually a professor. For many others, motherhood spelled the end of any academic career, while most students abandoned degrees when they gave birth. In the 1960s and 1970s, when many New Zealanders married young and, whether married or not, also had children young, that meant a lot of ‘academic wastage’.

Improving childcare provision helped the next generation of women. Several younger staff wives instigated the university’s first crèche, designed to provide part-time childcare for students. Since the university was unwilling to provide childcare, the founders set it up as a community venture; the vicar of All Saints Anglican Church offered the use of the old church hall. They invited women students to a meeting late in 1968 and ‘it was evident from the animated discussion that a nursery would fulfil a need’. The University Nursery Association – later renamed the Childcare Association – was a parent cooperative, with Jean Dodd as first president; she was a lecturer’s wife who previously set up a playcentre in Leith Valley. The nursery/crèche (both names were used at various times) opened in 1969 with kindergarten teacher Barbara Horn and Karitane nurse Ann Leary as its first supervisors; parents provided assistance according to a roster.

Outdoor play and learning in the 1990s. Photo courtesy of the Otago University Childcare Association

The new affordable and convenient crèche, together with new access to contraception, made a big difference to women, comments one student of that era, Rosemarie Smith: ‘gaining control over fertility and creating childcare revolutionised women’s access to education – and also to employment in the university’. She ‘graduated in 1971 with a BA and a baby thanks to that crèche’, and worked on the general staff for a couple of years. There was some resistance to the crèche. Most people in positions of authority in the university – generally men – saw no need for it, but there was also resistance from women uneasy about working mothers. There was, however, a demand for childcare and the association grew quickly, from 39 paying members in 1969 to 83 in 1971. That year it moved into the Cumberland Suite (an old house) of the University Union and in 1973 into a house at 525 Great King Street. That was provided by the university as temporary accommodation, since it intended to demolish the building to make way for a carpark. Instead it became a long-term home for the association, which expanded into two adjoining houses in the 1980s.

Childcare became more respectable as increasing numbers of middle-class married women joined the workforce. OUCA helped overcome some resistance in its early years by insisting it was a part-time service, but from 1980 it offered full day care. The service was increasingly used by staff, although students retained priority. In 1994 there were 138 families using university childcare; 71 were staff and 55 were students. It remained affiliated to, rather than owned by, the university, although the university provided its buildings – including splendid new Castle Street premises in 2014 – and small grants from the university and students’ association covered a small portion of its expenses. Unsurprisingly, given its clientele, OUCA attracted highly capable people to its management committee. Among the parents who served were some who subsequently held senior posts in the university, including future vice-chancellor Harlene Hayne; she was succeeded as president by historian Barbara Brookes, who suggests it ‘was perhaps the most important committee in the university in terms of the connections we made’. Brookes, her husband (also an academic) and children all made, through childcare, ‘deep friendships that nourish us today’.

Behind the facades of several villas in Castle Street, across the road from Selwyn College, Te Pā opened in 2014 as new premises for the Otago University Childcare Association. It incorporated four childcare centres, including a new bilingual centre, Te Pārekereke o Te Kī. The association also continued to run a centre at the College of Education. Graham Warman photographs, courtesy of University of Otago Marketing and Communications.

Learning to lecture

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1900s, 1910s, 1920s, 1930s, 1940s, 1970s, 1980s, 1990s, classics, economics, education, English, French, geology, Higher Education Development Centre, history, medicine, philosophy, physics, psychology, teaching, technology

WR Morris lecturing in the ‘old anatomy lecture theatre’ – now the Gowland Lecture Theatre – in the Lindo Ferguson Building, 1949. Anatomical drawings and skeletons were popular visual aids from the medical school’s earliest classes onwards. Image courtesy of the Hocken Collections, University of Otago Medical School Alumnus Association archives, MS-1537/441, S17-550c.

The University of Otago’s founders followed Scottish precedent in their choice of curriculum and also in teaching methods: rather than the Oxbridge-style tutorial, teaching was based on the professorial lecture. That had the advantage of being economical and many subjects got by with just one staff member for the first few decades. The professor did all the teaching, except in the sciences, which were first to acquire assistants, necessary because of the laboratory classes which supplemented lectures. Humanities subjects had no tutorials until the 1940s, though in some cases the classes were small enough that professors became well acquainted with their students. As mentioned in a recent post about the history department, history professor John Elder told a young lecturer whose students showed marked progress after he introduced seminar discussions: ‘These young men like to hear themselves talk but you’re paid to lecture and you’ll therefore lecture. So long as I’m head of this department, there’ll be no discussions’.

Elder was not the only professor suspicious of tutorials. They eventually sneaked into arts subjects as the rehabilitation department funded tutorials for returned servicemen and women in the wake of World War II; they became standard additions to the lecture programme soon after that. Sometimes the impetus for this innovation came from students and sometimes from staff. In 1948 Frank Mitchell, the education professor, reported that ‘this year the Honours students on their own initiative organised tutorials for students taking Education I. I hope that it will soon be possible to conduct regular tutorials for all stages’. In the same year departing philosophy professor David Raphael noted that tutorials were ‘not just a desirable luxury’ in that subject, but ‘essential for adequate training. Philosophy is a way of doing things with one’s mind, not a set of facts to be learned, and consequently the student must be in a position to practise the accomplishment in question’. Tutorials required a bigger investment in staff, but the growing student roll justified that.

Academics of course varied greatly in their teaching styles. Founding classics professor George Sale, notorious for his disdain of students’ abilities, preferred the stick to the carrot. John Murdoch, in reminiscences of his own teaching career, wrote of meeting some of Sale’s honours students after a lecture in 1907: ‘They had just received their corrected Latin proses, and the most successful had gained a mark of “minus 300”. Sale deducted marks, 10, 50, 100 or more for a mistake, according to his estimate of its seriousness’. Murdoch had little respect for the methods of the early 20^th century professors: ‘Otago University as I knew it was in effect a glorified coaching school’. Although the academic staff were ‘capable and well-qualified’, suggested Murdoch, their teaching was determined by a system whereby courses were ‘set by regulations applying to all four [University of New Zealand] colleges, and the success of their efforts was gauged by examiners in England’. Such conditions made ‘inspirational teaching almost hopeless if not quite impossible’, at least in English, ‘a notoriously difficult subject to teach’. Future high school principal Muriel May, an Otago student of the 1910s and 1920s, recalled that Thomas Gilray, the English professor, ‘taught by dictating at a relentless pace to his benches of scribbling students in the Lower Oliver classroom …. at the prearranged dates we regurgitated. There were no seminars, no discussions, originality was not fostered nor were personal opinions encouraged’. There were always, of course, some inspiring teachers. May also recalled that George Thompson’s French lectures ‘were invariably stimulating and enjoyable. (Latin students made comparable claims for the classes of Professor Adams.)’ Lecturer Agnes Blackie was in love with physics, which she found ‘brimful of interest’. ‘I can’t imagine a better subject for a lecturer’, she wrote in her reminiscences. ‘Lectures can be illustrated with fascinating demonstrations which bring the subject to life for the students and are fun for the lecturer to operate’.

From the 1950s, with greater local control of the curriculum and the widespread use of tutorials in addition to the traditional lectures, labs, clinical teaching and field trips, academic staff had greater flexibility in teaching. Their adoption of new technologies varied. Visual aids did not have to be high-tech: the beautiful anatomical drawings of John Scott, who was a skilled artist as well as first dean of the medical school, were used at Otago for many decades. Others used glass slides and a ‘magic lantern’ projector to show images. John Mackie recounted its use by Noel Benson in 1929 first-year geology lectures; it was ‘a contraption on a tripod which stood behind the lecture bench. Believe it or not, this projector incorporated an arc-lamp which spluttered, fizzed and made other dangerous noises, although as a source of light it was quite spectacular’. The notoriously absent-minded professor occasionally tripped over its wires ‘and the whole contrivance would crash to the floor’; that happened also on the day he rushed to extinguish the light after discovering students had replaced his first slide with a full-frontal nude. Slides remained a popular teaching tool, though shown through a more compact slide projector from the mid-20^th century, with the slides themselves shifting from glass to film negative to digital format.

In 1940 the dean of arts and sciences, Robert Bell, reported that several departments took advantage of a new scheme for borrowing ‘sound-films’, finding them ‘an extremely valuable and effective addition’ to teaching methods. Not every academic liked new technology; John Howells, who retired from the economics department in the 1990s, commented ‘my major advancement in the technology area stopped with the biro pen’. The emergence of the Audio Visual Learning Centre (AVLC) in 1973 ‘was regarded with suspicion by some staff members who had visions of classes being handed over to various mechanical gadgets’, reported the staff newsletter in 1977. By then, the ‘prejudice’ was ‘disappearing’, with 30 departments already using the AVLC. Its use ranged from ‘tape/slide/workbook programmes’ for anatomy courses to a ‘film providing “evidence” for a simulated Supreme Court trial’ for law students. The impetus for the centre came from the medical school, which was concerned about how it would manage its larger intake of students; it provided space for AVLC academic director David Teather and his team, with a production centre in the Adams building and a study centre with library of audio visual resources in the Scott building.

By the time this photo was taken in 1983, medical school lectures had become much more relaxed and technology enabled the use of film and other audiovisual aids. Please get in touch if you can help identify the lecturer or class! Image courtesy of the Hocken Collections, University of Otago Photographic Unit archives, MS-4368/086, S17-550b.

Academics using the AVLC ‘face some adjustment of their teaching methods and their attitudes’, noted the staff newsletter in 1975. There was already wider consideration of teaching and learning methods in the university, which new technology helped accelerate. In 1971 the lecturers’ association ran a well-attended seminar on teaching methods and suggested the university set up a research centre on higher education. In 1973 Otago appointed Terry Crooks as a lecturer in the education department, with half of his time devoted to research and advice on university teaching. He, the lecturers’ association and AVLC ran occasional sessions on teaching methods; for instance, a 1976 session looked at the use of film in university teaching, with staff discussing Otago-made films they had used in anthropology, physical education and medicine. Psychology lecturer Louis Leland ‘introduced a film which demonstrated the training of laboratory rats’. He made ‘a similar film each year with rats trained by the current year’s students and uses this to demonstrate to the following year’s students that training rats is within their capability’. In 1976 senate established a higher education research and advisory centre (HERAC) committee. HERAC and the AVLC often worked together and in 1978 they merged under a new acronym, this time destined to last: HEDC, or the Higher Education Development Centre.

Although HEDC had few staff in its early years, it performed a significant role; ‘there was growing awareness of the need for stimulating teaching’ reported the director, David Teather, in 1983. A recent two-day seminar on ‘helping students succeed’ had attracted 140 staff and ‘there was now hardly a department which did not make regular use of the resources at HEDC’ for producing teaching aids. That was just as well, since students ‘now came from school expecting to make use of technology in their work’. Computers became a significant part of that technology, and in 1986 Graham Webb joined the HEDC team; his ‘major responsibility’ was ‘to advise staff members on the educational uses of computers on campus’. Otago’s computing services centre also developed a team with expertise in computer-aided learning and in the 1990s HEDC’s audio-visual production section joined them as part of information technology services. HEDC continued to research and disseminate information on tertiary teaching, provide advice and run courses, notably for new academic staff; from 1996 staff could obtain a formal qualification – a postgraduate diploma in tertiary teaching – taught by the centre. The centre also supported Otago staff from other departments working on teaching-related research and new innovations. To help ‘enhance’ learning and teaching, the university offered special grants for research and innovation in teaching.

HEDC assisted with course evaluations, which gave students an opportunity to provide feedback on their teachers and courses. Staff could use them to identify weaknesses in their teaching which required work, or as evidence of their skills when seeking promotion. In an era of growing emphasis on quality assurance, they helped ‘measure’ courses in departments which were up for review. With a growing body of research from staff and postgraduate students on many aspects of higher education, plus a range of courses and support services for academics wanting to make their teaching more effective, Otago had travelled a long way from the days of Sale scoring papers at ‘minus 200’ and Gilray ‘dictating at a relentless pace’.

A class underway in the late 1980s or early 1990s in the Castle Lecture Theatres. The overhead transparency was a popular teaching tool for many years, later largely overtaken by Powerpoint digital slides. Unfortunately, the resolution of this old negative isn’t good enough to read what’s on the screen – if you can identify the class, lecturer or year, please get in touch! Image courtesy of the Hocken Collections, University of Otago Photographic Unit archives, MS-4185/060, S17-550a.

Looking back at history

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1880s, 1910s, 1920s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, art history, economics, history, law, library, Maori, politics

Professor Angus Ross engaging another generation of potential history students at the Taieri High School breakup ceremony, 1965. Image courtesy of the Hocken Collections, Taieri College archives, AG-629-015/060, S17-542a.

History has been around for a while! It first appeared at the University of Otago in 1881 when John Mainwaring Brown, the new professor of English, constitutional history and political economy, taught constitutional history to a class of two students. It was a subject designed for lawyers, covering ‘the development of the English Constitution, and of the Constitutional relations between the Mother Country and the Colonies’. The course, compulsory for the LLB degree, was also open to BA students. Mainwaring Brown’s career was cut tragically short when he disappeared during a tramping expedition in Fiordland in December 1888. The university council recognised that it would be difficult to find somebody capable and willing to teach all of the subjects he had covered and appointed a new professor of English, with separate lecturers for constitutional history and political economy (economics). Alfred Barclay, one of Otago’s earliest graduates and a practising barrister, taught constitutional history for many years, except in the early years of the 20th century when the law school was closed and the subject wasn’t offered.

Harry Bedford, Otago’s first ‘English history’ lecturer. This photograph, taken by William Henshaw Clarke around 1902, was his official portrait as a Member of Parliament. Image courtesy of the Alexander Turnbull Library, General Assembly Library parliamentary portraits, 35mm-00168-f-F.

In 1914, history emerged as a subject in its own right with a new course in ‘English history’. It was taught by Harry Bedford, who had been Otago’s economics lecturer since 1907. Bedford had an impressive CV; he was a brilliant local graduate who started his working life in his father’s tailoring business, served a term in parliament, and practised law while lecturing at Otago. The syllabus for ‘English history’ included ‘a study of the outlines of the History of England, including the development of the constitution down to 1900’, with a more detailed study of a different period each academic year. Constitutional history continued as a separate course for law students, and Bedford also devoted two special lectures a week to ‘Modern History, as prescribed for Commerce students’ from 1916. Bedford was an inspiring teacher and his appointment to a new professorship in economics and history in 1915 came as no surprise. Sadly, he was another promising young professor destined for a tragic death; he drowned during a beach holiday in 1918. With the times still unsettled due to war, the council appointed Archdeacon Woodthorpe, the retired Selwyn warden, as acting professor. But they felt the time had now come to separate the growing disciplines of economics and history, and in 1920 John Elder of Aberdeen was appointed to a new chair in history, endowed by the Presbyterian Church.

Though the Presbyterians selected, appropriately enough, a ‘conservative and hard working Presbyterian’ from Scotland as Otago’s first history professor, Elder brought considerable innovation to the chair. He continued an extensive publishing career commenced in Scotland, producing both popular and academic works on New Zealand history at a time when ‘it was highly unusual for colonial professors to publish anything’. His developing interest in New Zealand’s history was also reflected in the curriculum, which expanded to include more coverage of this country and other colonies among the broad survey courses on offer. He valued archival research highly; this was made possible thanks to the resources held at the Hocken Library, and Elder required MA students to complete a thesis based on such sources. His dour manner didn’t endear him to students, though, and he soon put a stop to a young lecturer’s introduction of seminar discussions: ‘These young men like to hear themselves talk but you’re paid to lecture … So long as I’m head of this department, there’ll be no discussions’.

William Parker Morrell, photographed in 1930 while studying at Oxford. Image courtesy of the Alexander Turnbull Library, Judith Morrell Nathan collection, ref: 1/2-197548-F.

In 1946 William Morrell – who featured in an earlier blog post on absent-minded professors – succeeded Elder as professor of history. He was a local graduate who studied and taught at Oxford and the University of London, and published widely on imperial and New Zealand history; he later took on the important role of writing the university’s centenary history! Morrell believed not only that history illuminated the present, but that the political state was worthy of study in its own right, and it was through his influence that politics joined the Otago syllabus, initially as part of the history department. Ted Olssen, an Adelaide graduate, was appointed to teach political science and classes commenced in 1948. Students emerging out of the war years and their clash of political ideologies demonstrated an appetite for the subject; it grew and became a separate department in 1967.

Like his predecessors, Willie Morrell believed that New Zealanders’ study of history needed to start with the histories of Britain and Europe, but an imperial framework meant that regions which had come under European control – including New Zealand and the Pacific – also appeared on the syllabus. Gordon Parsonson, who first joined the department as assistant lecturer in 1951 and remains an active researcher in his late 90s, was partly hired because of his interest and experience in Melanesia, acquired during World War II military service there. Angus Ross was another lecturer with expertise on New Zealand and Pacific history, though his distinguished war service had been in Europe. After many years in the department he succeeded Morrell as professor in 1965 and ‘steered the department away from the legacy of imperial history by making appointments trained to look at imperialism from the perspective of the colonised’. John Omer-Cooper, a specialist in African history, took up the newly-established second chair in history in 1973, while Hew McLeod, who became a world-renowned expert on Sikh history and culture, joined the department to teach Asian history in 1971. From 1975 a revamped curriculum gave students majoring in history broader choices; previously compelled to start with European history, they could now, if they wished, focus instead on New Zealand, Australia, the Pacific or Asian history.

Barbara Brookes and Ann Trotter at a Federation of University Women event at the Fortune Theatre, 1993. Image courtesy of Ann Trotter.

Under the umbrella of the histories of various regions, new themes began to emerge, often led by younger staff. Erik Olssen and Dorothy Page, both appointed in 1969 and both future heads of department, became pioneers of social history and women’s history respectively. Ross had a policy of appointing women where possible; although Morrell had also appointed a couple of women in the 1940s, men had long dominated the staff. The policy of recruiting good women academics continued and by the late 1980s they made up nearly half the department. In addition to Page, there were Barbara Brookes (another women’s history expert), Ann Trotter (who taught Asian history and subsequently became assistant-VC for humanities), Pacific historian Judy Bennett and long-serving lecturer Marjorie Maslen.

Angela Wanhalla and Judy Bennett in 2009. Photograph by Sue Lang, courtesy of the history and art history department.

As part of the new movement towards social history, Olssen embarked on the Caversham project, a long-running study of historic residents of southern Dunedin. Generations of honours and postgrad students mined the huge store of data for new insights into work, politics, gender, culture and society in New Zealand’s earliest industrial suburbs. Other new themes which became popular in the late 20^th century included environmental history and intellectual history (the history of ideas, incorporating science and religion), while world history provided an antidote to specialism in particular places and eras. A growing – if belated – awareness of the significance of Māori perspectives of history saw the appointment of Michael Reilly to a joint position in history and Māori studies in 1991. He later became full-time in Māori studies, but in the 21^st century the history department was fortunate to recruit two brilliant young Ngāi Tahu scholars, Angela Wanhalla and Michael Stevens.

History, like any other department, had its ups and downs through the years; funding was often tight and the trend towards lower enrolments in the humanities led to a loss of two staff in 2016. Art history joined the department in 2001, with a change in name to the history and art history department in 2008. Throughout, it remained a highly productive department with an excellent research record, ranking first in New Zealand for history and art history in the 2003 and 2006 PBRF rounds. It was no slouch in teaching either; in 2002, when OUSA gave its first teaching awards, history was the only department to have two people – Tom Brooking and Tony Ballantyne – in the top 10. As a proud graduate of Otago’s history department, I can testify to the great skills of its staff!

Recruiting a new generation of students, 2016-style. These secondary students, photographed at Toitū Otago Settlers Museum, were attending a ‘hands-on history’ course run by the university. Photograph by Jane McCabe, courtesy of the history and art history department.

 

Of pills and potions and poisons

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1870s, 1880s, 1890s, 1900s, 1920s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, chemistry, medicine, pharmacology, pharmacy, physiology, toxicology, Wellington

Making up supplies of the new wonder drug, penicillin, in the pathology department’s sterile solutions unit in 1949. In the 1960s the new pharmacy school took over ‘the factory’. Please get in touch if you can identify the woman in this photo! Image courtesy of the Hocken Collections, Prime Minister’s Department photograph, Box-184-007, S16-102a.

The University of Otago’s interest in pills and potions and poisons dates back to its earliest years. In his first annual report on the university laboratory, in 1875, chemistry professor James Black listed all the analyses he had carried out for the public and local officials. They ranged widely, from food and drink he tested for adulteration to coal and minerals and cement he tested for quality. Also on the list were some samples which suggest intriguing mysteries: in June 1874 Dr Niven of Roxburgh sent medicine, pills, a piece of tart and some lung balsam for testing, while in October Dr Cole of Tokomairiro sent urine and other samples to be tested for poison. Toxicology was thus at the very origin of Otago’s work in the pharmacology field.

It was the establishment of the medical school, though, which led to the first employment of a specialist in drugs. In 1883 John Macdonald was appointed lecturer in materia medica, as pharmacology was then known. The first medical school historian, Dudley Carmalt Jones, described Macdonald as ‘a big, handsome Scotsman of a striking presence …. a man who never quarrelled, and never did anything unethical’. As well as teaching students about drugs, he gave clinical teaching as one of the Dunedin Hospital honorary staff, his specialty being skin diseases. Macdonald taught materia medica according to ‘Edinburgh tradition’, with long lists of drug preparations to be memorised. Students also learned the practical skills of pharmacy, including the visual recognition of drugs and the making of pills, ointments and potions. These skills were taught at the hospital by its dispenser. The first to teach medical students their pharmacy skills was Dr John Brown, ‘a dear old eccentric teacher’ who was hospital dispenser for many years. This well-known character was apparently quite lenient with the students, but his successor refused to sign them off as ‘fully competent’, only recording that they had ‘regularly attended’; he also suggested that ‘grave danger’ could be avoided if they learned the theory of materia medica before tackling the making of medicines.

Although the early pharmacology lecturers focused on teaching rather than research, there were some interesting studies taking place around the university. As I wrote in an earlier post on this blog, New Zealand’s first home-grown medical graduate, Ledingham Christie, was awarded an MD degree in 1890 for his research into the toxicity of the tutu plant. In time-honoured mad scientist fashion, after observing the effects of the tutu berry on cats, roosters and rabbits he tested it on himself, taking a month to fully recover! Otago’s first physiology professor, John Malcolm, began working on tutin soon after his 1905 arrival, together with research assistant and hospital physician Frank Fitchett. Their authoritative study On the Physiological Action of Tutin was published in 1909. The following year Fitchett – a local lad who had returned to Dunedin after completing the final years of his medical training in Edinburgh – became pharmacology lecturer. Medical students enjoyed his lectures, even though they took place at 8am, for he filled them with a great fund of entertaining anecdotes from his years of medical practice. In 1920 Fitchett was promoted to be part-time professor of clinical medicine and therapeutics. He visited medical schools in England and Scotland to check out their pharmacology programmes; Otago needed to adapt its teaching to meet the changing requirements of the General Medical Council. Practice in hospital dispensing – ‘condemned’ as unnecessary by the council – was dropped from Otago’s medical syllabus and replaced with a practical class, modelled on Edinburgh’s, in the writing and analysing of prescriptions, and observation of the effects of drugs.

In 1940, after Fitchett retired, Otago had the good fortune to recruit the brilliant Horace Smirk to a new full-time professorial post in medicine. He was a Manchester graduate who worked in London and Vienna before becoming pharmacology professor in Cairo; he continued his pioneering work on drug treatment for high blood pressure in Dunedin. The new professor started out with a boosted staff of lecturers and researchers and within a few years had added further to his team. It was largely in honour of Smirk’s work that Otago received a large grant from the Wellcome Trust in 1961 for a new research building. Smirk had ‘tremendous vitality’, recalls Fred Fastier, one of his pharmacology team (later a professor himself). His colleagues wondered if this had something to do with the enormous quantities of tea he consumed; was his ‘curiously strong brew’ converted into something special ‘by a process apparently acquired in the land of Egypt’? It didn’t, however, work the same way for them.

Meanwhile, the Medical Research Council set up a toxicology research unit at Otago in 1955. Frank Denz was recruited back from England to his home country as first director; with a team including chemist Jack Dacre he began work on food additives such as colouring agents, ‘chosen because they were in extensive use but had not had adequate toxicological assessment’. Denz also taught in the pathology department; after his death in 1960 a very small team carried on with toxicology research. In 1968 the MRC convinced Garth McQueen of the pharmacology department to become director of the unit; he was an Australian who came to Otago in 1954 to work on hypertension with Horace Smirk and stayed on as lecturer in clinical pharmacology. In 1964 McQueen established the New Zealand National Poisons Information Centre, inspired by Dacre’s observations during study leave in the United States. It started out as a one-man operation, run from the Dunedin Hospital Emergency Department, and grew into a busy standalone 24/7 public service with an enormous knowledge base; alongside it McQueen developed New Zealand’s Centre for Adverse Drug Reactions and the Intensive Medicines Monitoring Programme (IMMP). Developed in the wake of the thalidomide tragedy, these, too, provided important public services, recognised with dedicated government funding from 1982 (the IMMP closed in 2013 after losing funding).

Another important 1960s development started out in a very small way: in 1963 six students signed on for a new Otago pharmacy degree. Pharmacists had been pushing for higher education for decades. New Zealand had been registering pharmacists since 1881, requiring them to complete an apprenticeship and pass exams; various private colleges developed. In 1960 the profession finally succeeded in getting a new pharmacy diploma course underway at the Central Institute of Technology (CIT); the Otago degree course was intended for those destined for specialist positions as researchers, lecturers, hospital pharmacists or manufacturing pharmacists. Pharmacy academics were thin on the ground, so the vice-chancellor persuaded pharmacologist and ‘born optimist’ Fred Fastier to administer the new course. Two highly regarded local pharmacists – analytical and consulting chemist Roy Gardner and Dunedin Hospital chief pharmacist John Conroy – ‘came to the rescue’ and became part-time lecturers for the specialist pharmacy subjects. The old Dental School Annexe (next to what is now the Marples Building) was converted to provide specialised labs for the pharmacy programme and sterile solutions unit, which pharmacy took over from the pathology department. The sterile unit – better known as ‘the factory’ – had been manufacturing supplies, including solutions of penicillin and other drugs, for many years to sell around the country; the pathology professor had kept it going in the hope it would prove useful for a future pharmacy department.

Pharmacy student Alan McClintock and technician Sandra Barkman identifying ‘unknown’ chemical compounds in Rob McKeown’s pharmaceutical chemistry lab, c.1983. Image courtesy of Hocken Collections, University of Otago Photographic Unit records, MS-4368/085, S16-669c.

There was plenty of demand for Otago pharmacy graduates and lots of interest in the course; the annual intake was quickly increased to 20 and in 1975 to 25. In 1971 Harry Taylor, who had been heading the CIT programme, became Otago’s first pharmacy professor. A 1981 retirement tribute noted that Taylor saw pharmacy flourish ‘in the most decrepit building in the university, with his administrative work performed in an office no bigger than a commodious cupboard’, but in 1985 it finally moved into better accommodation in the renovated Adams Building. The pharmacy programme was also renovated under energetic Canadian professor Donald Perrier, who introduced a more clinical focus to the degree, which was popular with students. The class continued to grow, taking its biggest jump in 1991; that year, following a long period of political wrangling, a degree became the minimum standard of entry to the pharmacy profession, the CIT course closed and all New Zealand pharmacy training shifted to Otago (from 1999 pharmacists could also qualify through the University of Auckland). The pharmacy department was upgraded to become the pharmacy school, with Peter Coville – affectionately known as Papa Smurf – as first dean.

While pharmacy developed its own postgraduate programmes and research, staff in pharmacology, psychology and several medical school clinical departments also continued a wide variety of research concerning pills and potions and poisons. Some of these had big consequences. In the 1970s McQueen and Otago paediatricians were among those who revealed the toxicity of popular antiseptic hexachlorophene on premature babies. It was widely used from the 1950s onwards in the fight against staph outbreaks in maternity hospitals, but carried its own dangers. Perhaps the most dramatic finding concerning prescribed drugs came through a group of young researchers at the Wellington campus in the late 1980s. Physicians Julian Crane and Richard Beasley and pharmacologist Carl Burgess, all from the medicine department, were suspicious that a popular asthma drug, fenoterol (marketed here as Berotec), might be contributing to an unexplained epidemic of asthma deaths. They asked epidemiologist Neil Pearce of the Wellington campus’s public health department to join them in a study. The results, published in the Lancet in 1989, were explosive, revealing an association between asthma deaths and fenoterol. As with many epidemiological studies, the findings proved controversial. The drug manufacturer, Boehringer Ingelheim, conducted a remarkable campaign to discredit the study, but they weren’t the only ones to dispute it: other researchers, including some of Otago’s own, also resisted suggestions that fenoterol was dangerous. Further studies confirmed the asthma research group’s findings and government subsidies for fenoterol were withdrawn; it was research which prevented many asthma deaths in New Zealand and around the world. From investigating suspicious lung balsams in the 1870s to uncovering dangerous asthma inhalers in the 1980s, we have many reasons to be grateful to Otago researchers.

Photo mysteries

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1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, capping, Christchurch, food science, Helensburgh, languages, Maori, medicine, microbiology, physical education, recreation, St Margaret's

This is a plea for help! Today’s post is rather different from previous ones. I’m posting some photographs I’d like to know more about. Some have appeared on the blog previously, while others are new. They’re all interesting images that I’m thinking of including in the University of Otago history book, and it would be great to have more details before they appear in print. Do you recognise any of the people or places or activities, or can you help with missing dates? If so, I’d love to hear from you, either by a comment on this post, or by email or letter (the ‘about’ page has a link to my university staff page with contact details).

I’ve gathered lots of images from archival, personal and departmental collections over the last few years, but I’m still short in some areas. In particular, I’m keen to locate photos relating to activities involving the commerce division/school of business and the humanities division (though I have a good supply of photos for the languages departments). Zoology, maths and psychology are other departments I’d like to find more images for. Where more general images of student life are concerned, I’d love to find a few photos relating to life in student flats and to lodgings and landladies. I have plenty of capping parade photos, but some other photos of student activities would be great. Overall, the 1980s are a bit of a gap in my lists of potential illustrations, so I’m on the lookout especially for anything from that decade, and to a lesser extent the 1960s, 1970s and 1990s. Another major gap is for images relating to the Christchurch, Wellington and Invercargill campuses. If you have any interesting photos you would be willing to lend to the project, please do get in touch!

Now, on with the mystery photos …

1. Gentlemen dining

Image courtesy of the Hocken Collections, Irvine family papers, MS-4207/006, S16-669a.

These gentlemen, about to indulge in a little fine dining at the Christchurch Club, have connections to the early years of the Christchurch Clinical School (now the University of Otago, Christchurch). Those I have identified so far were either senior Christchurch medical men or Otago administrators and members of the Christchurch Clinical School Council. That council was organised in 1971 and met for the first time in 1972. Max Panckhurst, an Otago chemistry professor who was on the council, died in 1976, so the photo must date from before that, and since it also features Robin Williams, who completed his term as Otago Vice-Chancellor in 1973, it probably comes from the early 1970s. Do you know the exact occasion or year?

The men I have identified are, starting from Max Panckhurst, who is closest to the camera with fair curly hair, and working clockwise: LM Berry, Carl Perkins, George Rolleston, Robin Williams, Leslie Averill, Alan Burdekin (Christchurch Club manager,standing), Bill Adams, LA Bennett, Robin Irvine, unknown, unknown, Pat Cotter (partly obscured), D Horne, Don Beaven, unknown, Fred Shannon, Athol Mann, JL Laurenson. Do you recognise anybody else? Or have I got any of these wrong? Some other potential candidates, who were also on the Clinical School Council, are EA Crothall, DP Girvan, TC Grigg and CF Whitty.

2. Burgers

Were you a Burger? After I published a story about Helensburgh House, a student hall of residence in the former Wakari nurses’ home, I met up with Glenys Roome, who had been its warden. She kindly shared some photos, including these three. Helensburgh House ran from 1984 to 1991 – I’d love to identify which year these were taken, and perhaps some names!

 

3. The missing singer

Photo courtesy of Michael Shackleton.

All but one of the members of the 1952 sextet in this photo are identified – can you help with the full name of the young man third from left? His first name was John. The lineup was, from left: Linley Ellis, Richard Bush, John ?, Keith Monagan, Michael Shackleton, Brian McMahon. The story of the sextet featured in an earlier post.

4. On the rocks

Image courtesy of the Hocken Collections, Otago University Tramping Club records, 96-063/036, S15-592b.

This is one of my favourite photos – it’s already featured on the blog a couple of times and is sure to end up in the book! In the original tramping club album it is identified as being at Mihiwaka, but somebody kindly pointed out when I posted about the tramping club that this is most likely taken from Mount Cargill. Do you recognise this spot? And can you identify any of the 1946 trampers?

5. Phys-eders

The School of Physical Education, Sport and Exercise Sciences has kindly shared some of their photo collection. The photograph on the beams was taken in the 1970s – were you there, and do you know the exact year? How about the others – any ideas where and when they were taken, or who the people are? I published a post about the early years of the phys ed school in an earlier post, and there are photos on that I’d love to have more information about too, so please take a look!

6. Te Huka Mātauraka

Photo courtesy of the Māori Centre

This photo was taken outside the Māori Centre, Te Huka Mātauraka, in 2002 and featured in a post about the centre. Can you identify anybody?

7. Microbiologists

Image courtesy of the Hocken Collections, Department of Physiology records, r.6681, S16-521c.

This photograph is a good example of the value of this blog. In the original, the man is identified as Franz Bielschowsky, of the cancer research laboratory. When I included it in a story featuring Bielschowsky, people informed me that the man here is actually Leopold Kirschner, a microbiologist working in the Medical Research Council Microbiology Unit. It was probably taken in 1949. Typically for that period, the female assistant is not named – do you know who she is? What, exactly, are they doing? I suspect health and safety procedures have changed since then!

Image courtesy of the Hocken Collections, University of Otago Photographic Unit records, MS-4185/042, S15-500d.

Here’s another microbiology-related photo, taken during the first hands-on science camp in 1990 – it featured in an earlier post about hands-on science. Can you identify any of these high school students? I’m curious to know if any of them ended up as University of Otago students!

8. The St Margaret’s ball

Image courtesy of Peter Chin.

This photograph, taken at an early 1960s St Margaret’s ball, featured in a story about Chinese students at Otago. At centre front are Jocelyn Wong and Peter Chin – can you identify anybody else? Exactly which year was it?

9. Picnickers

 

Image courtesy of Alexander Turnbull Library, Ref: 1/2-166716-F. http://natlib.govt.nz/records/22884184

The Latin picnic was a popular event in the early twentieth century. This photo was taken at Whare Flat in 1932 – it featured in an earlier post about writers at the university. People identified so far include Dan Davin, on the far right, with Angus Ross in front of him and Christopher Johnson to Davin’s right. Other students include Frank Hall (back left), Winnie McQuilkan (centre front) and Ida Lawson (in dark jacket behind her). The Classics staff, Prof Thomas Dagger Adams and Mary Turnbull, are at front left. Can you identify anybody else?

10. In the food science lab

I featured these mystery photos quite some time ago on the blog, and people have identified Rachel Noble, a 1980s student, as the woman in the centre of the bottom image. The food scientists tell me these students were in the yellow lab, possibly working on an experimental foods course or the product development course run by Richard Beyer. Can you help with the date, or identify any of the other students?

Images courtesy of the Hocken Collections, from the archives of the Association of Home Science Alumnae of NZ, MS-1516/082, S13-556b (above) and S13-556c (below).

 

I have quite a few other photograph puzzles, but will save those for future posts!

Update

Thanks very much to those of you who have identified some of the mystery people already – yay! And thanks for the kind offers of further photographs. For those with photographs, here are a few instructions. If they’re already digital, that’s great. If you are scanning them, it would help if you make them high resolution (say 300dpi), preferably in TIFF format, but JPEGs are okay. If they are hard copy, I’m happy to scan them for you if you’re willing to lend them to me – I promise to return them promptly. I can pick up items if you’re in Dunedin, otherwise you can post them to me (it’s probably easiest if you send them to Ali Clarke, c/o Hocken Collections, University of Otago, PO Box 56, Dunedin 9054). Remember if you’re sending images that you need to be willing for them to appear, potentially, in the new university history book (due out 2019) or on this blog! I’ll send you a form to sign granting permission for their use in university publications. Any published photos will be attributed to you; do let me know if there’s a photographer I should clear copyright with as well. Thanks 🙂

 

A home for art and artists

Tags

1910s, 1920s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, art, arts fellows, benefactors, library, physical education

Curator Donald Jamieson in the Hocken pictures stack, 1965. Photograph courtesy of the Hocken Collections, Box-240-004, S16-102b.

Otago does not, like some universities, have a fine arts programme; the highly-regarded Dunedin School of Art, established in 1870, is part of Otago Polytechnic. But the university has not neglected art: it has an art history programme, a prestigious fellowship for artists and one of New Zealand’s finest art collections.

That collection began when Thomas Morland Hocken donated his large collection of publications, archives, maps, photographs and paintings to the University of Otago, to be held in trust for the people of New Zealand. The deed of trust was signed in 1907, and in 1910 – shortly before Hocken’s death – the Hocken Library opened in a new wing of the Otago Museum (which was then run by the university). Hocken’s donation included over 400 pictures. Although his wife Bessie Hocken was a painter and photographer, he was not really interested in art for its aesthetics, but for the evidence it provided for research into his true passion, New Zealand history. The artworks he donated ranged from landscapes to political cartoons to paintings of Māori people and activities, and many included keys created by the Hockens to identify people and topographical features. Over the next few decades the library purchased further artworks and others were donated; the first published catalogue of the pictorial collection, dated 1948, included hundreds more works. Like the original collection, additions were mostly acquired for their historical interest, but they included many fine drawings and paintings. A great example is John Buchanan’s 1863 painting of Milford Sound. Linda Tyler, formerly pictorial curator at the Hocken, described this 1920s acquisition as ‘one of the icons of New Zealand art’; she recently discussed it on radio as her favourite New Zealand painting.

From the 1950s the Hocken pictorial collection took a new direction thanks to the influence – and generosity – of some noted art experts and collectors. Poet and editor Charles Brasch headed a new Hocken pictures subcommittee and – not without some opposition – shifted the acquisitions focus from history to aesthetics, and to include modern works. Brasch’s friend Rodney Kennedy made the first of many significant gifts to the Hocken in 1956 with 23 drawings by Colin McCahon. Kennedy attended the Dunedin School of Art in the 1920s and had many artist friends and a fine collection of New Zealand artworks; he was well-known around Otago as a long-serving drama tutor for the university extension department. Brasch, too, began gifting paintings in the late 1950s; both men gave further significant artworks during their lifetimes and by bequest. The Hocken’s important collection of McCahon’s works started with Kennedy and Brasch, but continued with gifts directly from McCahon and a bequest from his parents. Charlton Edgar, who taught at the Dunedin School of Art in the 1930s, gave nearly 400 works to the Hocken in 1961. This gift – known as the Mona Edgar collection in honour of his wife – ‘would update the Hocken with thirty years worth of modern New Zealand art’, wrote Tyler; it ‘changed the historical orientation of the collection irrevocably’. In subsequent decades the Hocken continued to purchase and receive generous donations of New Zealand artworks both modern and historical; by 2007 it held some 14,000 pictures. Those artworks have appeared in many exhibitions (in Dunedin and beyond) and publications and some can now be viewed digitally on the Otago University Research Heritage website. Dr Hocken little knew what he was starting when he gifted those 400 or so works depicting the history of New Zealand to the people of this country!

From 1966 the Hocken benefited from the existence of the Frances Hodgkins Fellowship, named in honour of one of New Zealand’s greatest artists. Modelled on the university’s Robert Burns Fellowship for writers, which had commenced in 1959, the new fellowship offered artists the opportunity to live in Dunedin for a year with a secure income and studio space provided; they had complete freedom of expression to work on projects of their choice. Anonymous ‘friends of the university’ made a large donation which endowed the fellowship, designed to aid and encourage painters and sculptors and foster interest in the arts at the university. The university was becoming an important patron of the arts, with fellowships for composers and dancers and children’s writers to follow later. Such fellowships were few and far between in New Zealand, so they carried considerable prestige.

Michael Illingworth, photographed in his studio by Max Oettli, 1968. Illingworth was the first Frances Hodgkins Fellow in 1966. Image courtesy of the Hocken Collections, P2011-027, S16-102c. Reproduced with the kind permission of Max Oettli and Dene Illingworth.

The rules stated that potential fellows needed to have ‘executed sufficient work’ to demonstrate talent as a painter or sculptor, and shown that they were ‘a serious artist’ who would be ‘diligent’ in developing their talent and would benefit from the fellowship. There was no requirement for applicants to have any formal education in fine arts, ensuring ‘mavericks’ would not be cut out. The university – or, at least, its selection committee – from the beginning showed a willingness to be bold and support innovative and sometimes controversial artists. The first Frances Hodgkins Fellow, Michael Illingworth, made the news a year earlier when his painting As Adam and Eve, on show at Auckland’s Barry Lett Galleries, attracted an obscenity complaint to the police. That incident cemented the painter’s frustration with the conservatism of middle-class New Zealand. A friend, the writer Kevin Ireland, later described Illingworth as ‘a person with a blunderbuss conversation and philosophy – he sprayed out and hit everything yet his art was so worked and jewel-like and carefully done’. The fellowship got off to rather an unfortunate start when Illingworth left halfway through his 1966 tenure, claiming he couldn’t work in the studio provided. The second Frances Hodgkins Fellow, sculptor Tanya Ashken, found Dunedin more congenial. Among the friends she made was Philip Smithells, director of the physical education school; she joined the students in his gymnastic classes and her observations of their movements and poses contributed to her new sculpture. Following her fellowship there was an exhibition of her work in the foyer of the museum (where the Hocken was still located).

Finding a suitable space for the fellows proved a long-term challenge. In 1975 the Cumberland St house where fellow John Parker had his studio was demolished partway through his term and he moved into an alternative in Leith St. In 1978 fellow Grahame Sydney declared the latest space, near the Leith, ‘a completely satisfactory studio’, but that one didn’t last either. The 2008 fellow, painter Heather Straka, noted that the then studio in Union Street West had good light and hours could pass without her realising: ‘Before I know it, it is 1am and I am still working’. For the past few years the studio has been in a prefab near the Albany Street music studio. Another challenge was funding. Although the original anonymous gift was intended to endow the fellowship permanently, by the late 1970s inflation had eroded the value of its income, along with those of the Burns and Mozart fellowships. The university held a successful appeal to boost fellowship funds, attracting donations from individuals and businesses, along with a government grant. In 1986 the university decided to withhold the Frances Hodgkins Fellowship for a year to build up its capital, but donations from the Queen Elizabeth II Arts Council and M.W. James Trust meant it could be offered for a shorter term of 6 months. Since then, the fellowship has been awarded every year.

The list of former Frances Hodgkins Fellows is a veritable who’s who of the New Zealand art world. Many of the artists held the fellowship fairly early or mid-career and went on to great acclaim, such as Ralph Hotere (1969), Marilynn Webb (1974), Jeffrey Harris (1977), Gretchen Albrecht (1981), Fiona Pardington (1996 and 1997), Shane Cotton (1998) and Seraphine Pick (1999). ‘It’s flattering to be in such good company’, said Heather Straka during her tenure. ‘Everyone who has come through this residency has been of quite good note and has produced great work while on the residency’. Freedom from financial worry – for a year, at least – led to the production of many fine works of art: John Ward Knox, the 2015 fellow, described it as ‘a windfall of time and space and freedom’ to create. The Hocken showcased the work of each fellow through an exhibition hosted soon after their tenure, and acquired some of those works for its collection.

If you’re in Dunedin, take the opportunity to see some of the highlights of the Hocken at its current exhibition (on until 22 October). And keep an eye out for the exhibition to be held later this year at the Hocken Collections and Dunedin Public Art Gallery to mark 50 years of the Frances Hodgkins Fellowship. If you’re further away, you can still enjoy many of the Hocken’s art treasures in digital format – happy viewing!

A sporting university

Tags

1870s, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, physical education, recreation, sports

The women’s A grade hockey team of 1920. Back (from left): R. Patterson, W. Elder, G. Lynn, F. Barraclough. Centre: E. Stubbs, H. Sellwood (captain), Prof George Thompson (president), V. White (deputy captain), M. Morton. Front: E. D’Auvergne, I. Preston. From Otago University Review, 1921.

With the Olympics underway, it seems a good time to think about sport! The first serious sporting fixture at the University of Otago involved rugby, though it was a very different sort of game back then. In 1871 there were just 81 students enrolled at Otago, but they managed to muster a team for a 22-a-side football game against Otago Boys High School. It extended over several hours and two Saturdays and ended in a draw. George Sale, the young classics professor and an old boy of Rugby School, played alongside the students, and in 1884 he became inaugural president of the Otago University Rugby Football Club. Cricket wasn’t far behind rugby, with its first match also in 1871, against the Citizens Cricket Club. Cricket historian George Griffiths suggested this first match was ‘archetypal’, for it ‘began disgracefully late, two selected players failed to turn up, and University were resoundingly beaten’. George Sale was again one of the team. Enthusiasts formed a University of Otago Cricket Club in 1876, but it only lasted three seasons; a second attempt survived from 1895 to 1900. The university managed to scratch together teams for one-off matches, but it was in the 1930s that it again managed to get together a club which played regularly in the local competition.

Taking a break during the home science tennis tournament of 1952. Photo courtesy of Sadie Andrews.

Tennis was one of the most popular early sports, for it required few people and could be played by men and women together. In 1884 students petitioned the university council to provide a tennis court and it duly obliged; the students formed a tennis club and within a couple of years had raised funds to lay down a second court. The tennis club, like many, had its ups and downs through the years. In 1890 one of its courts had to make way for the new School of Mines building and this was not the last time tennis courts were to provide an ideal flat site for building expansion; in the 1970s the Archway Lecture Theatres took the place of tennis courts.

The Otago University Bicycle Club, featured in an earlier post, was founded in 1896, and a year later the University Gymnastic Club began meeting weekly for ‘both exercise and amusement’. By 1901 the ‘noble art’ of boxing was an important feature of the club: ‘It is a huge treat to see a couple of junior Meds punching each other vigorously’, noted its correspondent in the Review. The gymnastic club was very short of members though, and may have evolved into the more specialist boxing club, which was up and running by 1910.

Hockey was another favourite with both men and women. ‘The hockeyites are enthusiastic and promise great things’, noted the Review in 1905, when both women’s and men’s clubs got started. Otago women students were early adopters of basketball (known as netball from 1970). This new sport, which some found preferable ‘to the more strenuous game of hockey’ was taking off in Dunedin schools and church organisations. University teams played in local matches in 1915, the year that the Otago Basket Ball Association, New Zealand’s first, was established, and by 1918 there was an established university club. The Golf Club, consisting of ‘some thirty enthusiastic players’, got started in 1920. Later to start than some other sports clubs, but destined for a flourishing future, was the rowing club, founded in 1929. It started out using the facilities of the Otago Rowing Club, but by the late 1930s had acquired its own boats and had dozens of members. In subsequent decades the growing university was able to support an ever-broadening range of sports clubs, from archery and taekwondo to diving and badminton, and of course some students also played for clubs outside the university.

Preparing to set off in the men’s harrier race, 1952. Photo courtesy of Sadie Andrews.

Students didn’t have to join a club to enjoy sports. Many a scratch team was put together for a bit of fun, such as the regular annual footy matches between dental and mining students. Residential colleges promoted sports as well, forming teams and playing against other colleges. Soon after Otago’s second college, Knox, opened in 1909, it began playing tennis, hockey and rugby games against the first college, Selwyn. In 1932 they institutionalised their sporting rivalry with the Cameron Shield, hotly contested in various codes ever since. Arthur Porritt, an early 1920s medical student and Selwyn resident, recalled that ‘statutory work accomplished, we indulged to the maximum extent possible in sport …. “Billy” Fea and Mackereth – two “All Blacks” – were our heroes – and we rejoiced in winning the Inter Varsity Tournament’. Porritt was an outstanding athlete himself, winning a bronze medal in the 100m at the 1924 Olympics in Paris (famously portrayed in the film Chariots of Fire, but with a fictional character representing Porritt). Athletics took off at Otago when the Easter Tournament between the four university colleges commenced in 1902. Soon after that first tournament – hosted and won by Canterbury – Peter Buck (Te Rangi Hiroa) presided at the founding meeting of the Otago University Amateur Athletic Club. The club ran annual ‘inter-faculty’ events, where students of Otago’s various faculties competed for athletic glory; they served as trials for the Otago tournament team. In 1923 the athletic club acquired ‘an offspring’, the University Harrier Club, which held Saturday afternoon distance runs. The harrier club reported in 1930 that its ‘finest individual performance’ came from one J. Lovelock, ‘the best distance runner whom Otago University has yet produced’. Jack Lovelock, a medical student of 1929 and 1930, headed to Oxford on a Rhodes Scholarship in 1931 and became ‘one of the most celebrated of all Olympic champions’, winning gold in the prestigious 1500m race at the 1936 Berlin Olympics.

Women harriers ready to set off, 1952. Photo courtesy of Sadie Andrews.

Otago students have become sporting stars in many codes through the years. Some came to Otago for its physical education school, which for several decades offered the country’s only sports science tertiary qualification. Many of its alumni became household names, such as netballers Adine Wilson and Anna Rowberry, rugby players Anton Oliver, Josh Kronfeld and Jamie Joseph and cyclist Greg Henderson. Farah Palmer first took rugby seriously after arriving in the south; she went on to lead the Black Ferns to three world cup wins and complete a PhD in physical education. But sports stars came from other disciplines as well. In 1998 Otago claimed a national ‘captaincy treble’: Palmer was captain of the Black Ferns; Taine Randell, a 1997 law and commerce graduate, captain of the All Blacks; and Belinda Colling, a 1998 psychology graduate, captain of the Silver Ferns. Completing a degree while representing your country or province in sport was no easy feat and some sports people dropped out or took longer than usual to finish their studies. In 1990, for instance, John Wright, captain of the New Zealand men’s cricket team, graduated with a BSc in biochemistry, completed after a 15-year break from study. In 2012 the university celebrated when two former students, Hamish Bond and Nathan Cohen, won gold for rowing at the London Olympics; both had studied commerce at Otago before sport took over and they switched to distance education via Massey University. The students’ association recognised its star sportsmen and women with ‘blues’ for outstanding achievements. It also provided financial support for various sports clubs and their facilities. One of the biggest OUSA investments was the Aquatic Centre, opened in 2002 as a new home for the rowing club, which had lost its old premises and boats in a 1999 fire. The splendid facilities presumably contributed to Otago’s long run of success in national and international rowing events in subsequent years.

University sport can be pretty casual! ‘Burgers’ playing volleyball in the spacious surroundings of Helensburgh House, a hall of residence from 1984 to 1991. I’d be delighted to hear from anybody who can identify the year this photo was taken. Photo courtesy of Glenys Roome.

Of course, most students had lesser sporting abilities, and OUSA also developed premises for those who just wanted to keep fit and have fun. Smithells Gym provided room for some indoor activities, but the needs of the physical education school took priority there. OUSA built its Clubs and Societies Building in 1980 to cater for a wide range of activities, and it was soon hosting aerobics classes and weight training. It quickly proved inadequate for the rapidly growing student roll, providing an incentive for the OUSA to take part in a new scheme proposed by the Otago Polytechnic Students Association. The two associations and the university purchased and converted a former stationery factory in Anzac Avenue into the Unipol Recreation Centre, which opened in 1990 and immediately became a hive of physical activity. The university itself developed a recreation services department in 1984, hiring out equipment and organising courses and trips. Recreation services also held the contract to run Unipol. In 2012 Unipol moved to a larger purpose-built space in the new University Plaza building, attracting a jump in student use. Soon afterwards OUSA sold its share of Unipol to the university, unwilling to commit more funds and confident that the university had student needs at heart. Student president Logan Edgar cited the famous example where Unipol had refused a gym booking to the All Blacks ‘when it would have limited the space of students attempting to work out’. OUSA put the proceeds towards a major upgrade of the Clubs and Societies Building (then known as the Recreation Centre), completed in 2014.

This shot of officials at the 1953 interfaculty sports, held at the University Oval, demonstrates the commitment of staff to university sports. From left: Michael Shackleton (medical student), Prof Philip Smithells (Physical Education), Prof Angus Ross (History), Stanley Wilson (Surgery), Prof Bill Adams (Anatomy), Dr Bruce Howie (Pathology), Prof Jack Dodds (Physics), Dr Gil Bogle (Physics). Photo courtesy of Michael Shackleton.

Throughout the university’s history, its students and staff have played an important role in local sport, some as participants and administrators and others as spectators. Indeed, cheering on the local team on the terraces of Carisbrook or, more recently, in ‘the zoo’ at Forsyth Barr Stadium, is an iconic part of ‘scarfie’ culture. This no doubt contributed to the university’s 2014 decision to sponsor the local super rugby team. That decision raised many eyebrows and attracted some opposition, notably from the Tertiary Education Union, unhappy with the extent of spending on marketing within the education sector. Fortunately, the university’s sponsorship coincided with a big improvement in the Highlanders’ results, and when they won the championship in 2015 with ‘University of Otago’ emblazoned on their shirts it was a proud moment for their sponsors. The Highlanders have had another good season, even if they didn’t retain champion status; now it’s time to cheer on our Olympic athletes!

An administrative note

Regular readers may have noticed that this blog post is later than usual. From now on I will be putting up new posts every 4 weeks, rather than every 2. That’s simply because I need to devote more time to writing the book this blog project arose from!

 

A chorus of laughs – the Sextet

Tags

1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, capping, graduation, music

The 1962 Sextette in traditional clown costume. Back from left: Doug Cox, Alastair Stokes, Terry Wilson, Peter Chin. Front: Roger McElroy, Gus Ferguson (pianist), Ian Robertson. Photo by de Clifford Photography, courtesy of Peter Chin.

The Sextet has been entertaining audiences at Otago’s capping show with beautifully-sung and witty words for over a century. Given its tendency to come close to the line – and sometimes to cross it – with offensive subject material, it seems only appropriate that its origins were not ‘politically correct’. The capping show itself dates back to 1894, when the University of New Zealand authorities banned public graduation ceremonies after becoming fed up with riotous student behaviour at these supposedly formal occasions. That prompted students to develop their own capping carnival of dances, concerts and processions, while the official graduation ceremony, when reinstated, became a much more seemly affair.

The capping concert soon became a hit with both students and the public, offering amusing commentary on the life and personalities of the university in particular, sometimes extending to the rest of Dunedin and the wider world. Alternative lyrics set to popular tunes were one of its standbys. One of the Sextet’s most famous old boys, conductor and composer Tecwyn Evans, researched its history as an honours project in 1993. He traced its origins to the appearance of ‘Coon’s Quartette’ at the 1903 capping concert. Presumably they made themselves up in ‘blackface’, then popular but later heavily criticised for its racist stereotypes. A review of the 1905 capping concert noted that ‘a coon tableau and a cake walk by a quartet of coloured gentlemen went well’.

The 1903 quartet was followed by various 4 or 5-man combinations, with the first 6-man singing group appearing in 1912. By 1919 the Sextette (as it was known until 1966, when it became the Sextet) was a regular feature of the capping concert, famous for its cheeky words sung with angelic voices. An ODT review of the 1923 concert noted ‘their rendering of topical verses was to many the very best item of the evening. In their first appearance they made play behind great song books of ’Varsity blue. Their songs when they appeared in evening dress in the second half were particularly clever and most amusing as one after another unburdened himself of the confession of the murder of some professor or other equally undesirable person. They also successfully burlesqued the Sistine Choir, and were rewarded with the most prolonged and emphatic applause of the evening’. The tradition of appearing in clown costume for some items and in evening dress for others quickly developed, though occasionally they branched out into other outfits.

The 1948 Sextette dressed as Victorian clergy to fit in with the theme of the capping show, ‘Dunover, or Cargill Rides Again’ (in honour of the centenary of the Otago colony). Left to right: Ninian Walden, John Somerville, Linley Ellis, Brian Neill, Ritchie Gilmour, Michael Shackleton. Photo courtesy of Michael Shackleton.

The Sextet, like the capping carnival, took a break during World War II. When the concert recommenced in 1945, getting traditions going again with no experienced seniors to help proved tricky. Concert director David Cole (future dean of the Auckland medical school) noted that ‘we could only find a quartette the first year but the sextette has reigned supreme again since then’.

The 1952 Sextette, from left: Linley Ellis, Richard Bush, John ?, Keith Monagan, Michael Shackleton, Brian McMahon. Photo courtesy of Michael Shackleton.

Writer James K. Baxter, who was Burns Fellow at Otago in 1966 and 1967, was a fan of capping shows, ‘chiefly on account of their vigour and their freedom of satire, both of which the country sorely needs’. In a review in the notorious but short-lived student publication Falus, he commended the 1967 production as more sophisticated than usual, though it did mean that ‘the sheer drive of spontaneous gutsiness was not so strong’. Fortunately, the ‘casual energy of Sextet provided a counterpoint’. Their performance included a ‘Geering interlude’ – presumably a commentary on the well-known theology professor, who was tried for heresy that year – among other things. ‘The alternation of wide-open satire with straight singing broadened their presentation … I think they were indispensable’, wrote Baxter.

The 1959 Sextette in action. Back from left: Bob McKegg, Jim Cleland, Alastair Brown. Front: John Burton, Peter Chin, Meikle Skelly. Peter Foreman was the pianist. Photo courtesy of Peter Chin.

Members of the Sextet were chosen for their vocal skill. Shy young first-year law student Peter Chin headed along to the audition for the large capping chorus with some friends from school in 1959. At the audition, talent-spotters suggested he should audition for the Sextet, and he was to sing with them for 3 of his 5 years at university. Becoming part of this elite group provided him with an instant introduction into student society. Chin – a future mayor of Dunedin – later became a well-known performer in local productions. The abilities of the Sextet have, naturally, varied from year to year, but there are some very famous names among the old boys, with vocal stars Roger Wilson, Martin Snell, Simon O’Neill and Jonathan Lemalu all lending their talents to the group during their university days. Although the performances have been a cappella for many years, in the past the group had a piano accompanist, and generally sang in unison rather than with the harmonies which became a feature during the 1970s.

The lyrics, also, varied in quality from year to year; sometimes the Sextet wrote the words themselves, and sometimes they received help from others. An anonymous article in a 1991 graduate publication noted that the content varied ‘from the traditional to the topical and from the harmless to the emphatically unsuitable’. Certainly the level of sexual innuendo in the lyrics grew and became more explicit, and in 2010 Rape Crisis criticised the Sextet for trivialising rape and sexual abuse in some lyrics.

Because the capping stage was open to men only until 1947, the Sextet started as an all-male group, and so it determinedly remained. In 1966 the show featured an all-female vocal group, named the Sextette, in addition to the all-male Sextet, but it proved a one-off. The ODT reported that ‘the girls do a good job, but their voices are not strong enough and most of their words are lost’. Finally, in 2001, a new female a cappella group – the Sexytet – debuted at the capping show, becoming a regular feature. The women’s group, which settled on ‘1950s housewife’ costumes, performed witty and smutty songs in beautiful harmonies, as in Sextet tradition.

The 1963 Sextette enjoying themselves backstage. Back from left – Terry Wilson, Jenny Black, Peter McKenzie, Alistair Wright. Front – Gus Ferguson (pianist), John Sayers, Peter Chin, Bob Salamonsen. Photo by Alan Stuart, courtesy of Peter Chin.

Through the years the Sextet has provided a lot of laughs to a lot of people. And, though they often put in a lot of work practising, the singers have clearly enjoyed themselves very much too (with a notable exception in 1993, when they were pelted with beer cans when performing as a warm-up act before a rugby test match at Carisbrook). Video of performances by Sextets and Sexytets of recent years can be found on Youtube – viewer discretion is definitely advised!

The 2014 Sextet. Through the years the clown hats have been lost, but more make-up added. Photo by Daniel Chew, courtesy of OUSA.

Three more colleges

Tags

1900s, 1910s, 1960s, 1970s, 1980s, Knox, Salmond, St Margaret's, theology, women

The first stage of Knox College under construction, c.1908. Image courtesy of the Hocken Collections, Universal Post Card Co., G. Campbell series, Box-308-006, S16-548b.

The Anglicans – a minority group in colonial Otago – were the first to establish a residential college at the university, as I outlined in a recent post. The much larger Presbyterian community was slower to get started, but once it did, it went one better, opening a college for men in 1909 (Knox) and another for women in 1911 (St Margaret’s). As the university grew, the Presbyterians also added a third college – Salmond – in 1971. As had been the case with Selwyn, it was the needs of theology students that helped get these colleges started, though they were open to other students from the beginning.

The campaign to open a Presbyterian residential college was started and led by popular Presbyterian minister Andrew Cameron. Cameron, one of Otago’s early graduates, was on the university council (he later served as chancellor) and convened the church’s committee on theological training. The church had started training its own ministers locally in the 1870s. Classes took place at the theology professor’s home in Leith Street (where St Margaret’s now stands), but between the professor’s large family, the library and a growing student body the space quickly grew cramped. Cameron was keen to establish a college which would provide a better space for theology training, together with residential accommodation for its students and those of the university. He identified a good site in Opoho – the land already belonged to the Presbyterian Church – and in 1902 set about a major fundraising campaign. The campaign started well with a large donation from one of New Zealand’s wealthiest men, John Ross, of the large importing and manufacturing firm Ross and Glendining. Other donations trickled in, and in 1908 the foundation stone of a grand and imposing building was laid. The first 40 residents moved into Knox College – named after the Scottish theological reformer – in 1909. Nineteen of them were students at the theological hall and the remainder were university students (9 of those completing the undergraduate university degree necessary before they could start theological training). With new wings and alterations, by 1914 the college had expanded to house 94 residents.

The Knox farce was a regular feature of capping concerts for many years. The cast of the 1946 farce, ‘Cameo and Mabelette’, included Ratu Kamisese Mara, future Prime Minister of Fiji (the tall figure, standing at centre). Image courtesy of Michael Shackleton.

The original St Margaret’s College in 1911. The building had previously housed the Presbyterian theology professor. Image from the Otago Witness, 19 April 1911, courtesy of the Hocken Collections, S10-133a.

Other than the master’s family and the domestic staff, all of the Knox residents were men: the idea that male and female students might live in the same college was well outside the norms of the era. But women coming to study at the university or teachers’ college in Dunedin also needed somewhere to live, especially as landladies often preferred male to female boarders (because men often spent more time out of the house, and also required fewer laundry facilities). In 1909 a Women Student’s Hostel Committee was formed by church people interested in establishing a women’s college. After various political complications, they managed to secure the lease of the building vacated by the theological college when Knox opened. It was a rundown building but the site, right next to the university, was ideal. After a few hurried repairs, early in 1911 the first residents moved into St Margaret’s College, which was named after a highly devout medieval Queen of Scotland. By the end of the year the new college had 15 residents, made up of 12 training college and 3 university students. It was a small beginning, but the college council had big plans; unfortunately it did not have any money. After several years of fundraising, in 1914 construction commenced on a new brick building, and at the end of 1917 it was complete, with room for 70 residents. Life in St Margaret’s was strictly controlled, but the women established a happy community at a time when they were not welcomed by all parts of the university. Almost a third of Otago students were women in the 1910s (even more in the war years), and as St Margaret’s historian Susannah Grant points out, the college ‘stood on the hill as a visible symbol of women’s increasing participation in higher education’. It also served as a focal point and meeting place for all women students.

St Margaret’s College residents and staff in 1924. Image courtesy of Hocken Collections, St Margaret’s College records, AG-157-N2, S10-532a.

Knox and St Margaret’s grew through the decades, especially during the 1960s, when both added new wings. By the end of that decade Knox provided a home for 155 residents and St Margaret’s for 170. There was no shortage of demand for student accommodation, with the university roll doubling between 1960 and 1970. That was one of the motives behind a 1960s scheme to build another women’s residential college in the grounds of Knox College. The initial spur for the new project was, however, the needs of women training for church vocations. Since 1903 women training as Presbyterian deaconesses had lived together as a small community, but some of their leaders felt they would benefit from living alongside other students, just as men training for the ministry did at Knox College. After all, the women already shared some classes with men at the theological hall. In 1963 the Presbyterian Church approved the scheme for a new residence, which would cater for women training as deaconesses as well as other women students of all denominations and all faculties. The idea that Presbyterian women should be granted the same privileges as men gained further impetus the following year, when the church approved the ordination of women as clergy. Nobody yet considered the more radical possibility that men and women might actually live together in one college.

A fundraising appeal got underway in 1965; generous government subsidies for the building of student accommodation meant the church only needed to raise part of the expense. There were considerable delays, with the government deferring its contribution due to financial difficulties and tightening controls on the building industry, but construction finally started late in 1969. In 1971 the first intake of 140 women moved in; three were students for the Presbyterian ministry, with the rest at the university or teachers’ college. Salmond Hall (known as Salmond College from 2006) was named for a prominent local Presbyterian family, in particular Mary Salmond, a former principal of the deaconess college, and her brother James Salmond, a minister and leader of Christian education. The first warden, Keren Fulton, combined experience and good Presbyterian credentials; she had run the YWCA hostel, Kinnaird House, and was a Presbyterian deacon.

The newly-built Salmond Hall, c.1971. Image courtesy of Hocken Collections, Salmond Anderson Architects records, MS-3821/2000, S16-548a.

Salmond quickly developed a life of its own. Though it shared a few facilities, such as tennis courts, with its older neighbour up the hill, and they held a few combined social events, Salmond and Knox maintained distinct identities and cultures. They were, however, governed by the same council. Once Salmond was up and running that council turned its attention to the needs of another growing group of students for the ministry: those who were married, often with children. In 1976 it opened a new complex of flats in the Knox grounds, named Somerville Court in honour of Knox master and university chancellor Jack Somerville. They included flats designed for families alongside others which catered for the growing demand for flats from groups of single students. As private flat provision grew, there was less call for these flats, so they were absorbed into Knox College. Together with other additions and alterations, this expanded Knox to cater for 215 residents; St Margaret’s now accommodates 224 residents and Salmond 238.

An aerial view of Knox College in 2008. The Somerville Court flats are to the left of the main building, and the Presbyterian theological hall (now the Knox Centre for Ministry and Leadership) and library at the rear. Image courtesy of University of Otago Marketing and Communications.

Knox, St Margaret’s and Salmond are now formally affiliated to the University of Otago, but continue to be owned and managed by the Presbyterian Church. Despite their religious background, they have always been open to students of any faith (or none). I suspect, though, that some of the Presbyterian founders might be a little surprised to know that the college they established for young ladies in 1911 has had a Catholic priest (Peter Norris) as warden since 1989! They might also be surprised to discover that the colleges, like all at Otago, accommodate both men and women. Salmond did not remain a solely female domain for long, admitting a few men from 1975, while St Margaret’s admitted men for the first time in 1981. Knox admitted its first woman as a senior resident in 1982, meaning it narrowly escaped becoming the last single sex college at Otago; both Knox and Selwyn provided a home for undergraduate women from 1982.

St Margaret’s College, 2012. Image courtesy of University of Otago Marketing and Communications.

With over 600 residents each year, the Presbyterian colleges make a big contribution to the university (and in Salmond’s case, also to the Otago Polytechnic). Do you have any stories to share of their past? I’m especially interested in hearing memories of Salmond, since it doesn’t have the benefit of a published history, like Knox and St Margaret’s!

Salmond College in 2009. Image courtesy of University of Otago Marketing and Communications.

The ‘latest’ health science – nursing

Tags

1920s, 1970s, 1980s, 1990s, 2000s, 2010s, Christchurch, home science, medicine, mental health, nursing, public health, Wellington, women's studies

Some of New Zealand’s leading nurses of the 1920s, when the university attempted to set up a nursing diploma. They were photographed at the first conference of hospital matrons, held at Wellington Hospital in 1927. Image courtesy of the Alexander Turnbull Library, S.P. Andrew Ltd collection, reference 1/1-018313-F.

The University of Otago is perhaps most famous for its health science courses, but many people are unaware of its contributions to the largest of the health professions: nursing. There have been many twists and turns in the path to nursing education at Otago, which this blog post attempts to map.

Nurse training in this country started out with ad hoc programmes in various hospitals; it was an apprentice-style system, with nurses learning on the job and providing the bulk of the hospital workforce as they did so. In 1901 New Zealand introduced the registration of nurses. From that date general nurses could become registered after completing the required years of training and passing a state examination. Separate registration was later added for obstetric, psychiatric and psychopaedic nurses, along with another roll for nurses who had completed shorter training programmes, with greater restrictions on their practice (known initially as nursing aids, then community nurses, then enrolled nurses, then nurse assistants, then enrolled nurses again). The hospital-based education of nurses slowly improved, with more time dedicated to teaching from dedicated nurse tutors, but there was no higher education available for those tutors. Advancing education programmes became a priority for those who wished to increase the professional standing of nurses and improve the care they offered.

When Otago’s home science school started out in the 1910s, nurses took notice. In 1912 leading nurse Hester Maclean, who edited the nursing journal Kai Tiaki, published there the response of home science professor Winifred Boys-Smith to Maclean’s enquiries about the potential of the school’s new courses for women who intended to enter the nursing profession. Boys-Smith suggested that the diploma course would be ‘incalculably useful to a girl who wanted to become a really efficient hospital nurse, for it would enable her to obtain a sound and much more advanced knowledge of physiology, sanitary science and household economics, than she could afford the time to gain, while she was training at a hospital’. The courses might also benefit nurses already trained who wished to improve their qualifications: Boys-Smith hoped to attract ‘quite a number of the more intelligent nurses, who wish to make themselves especially efficient for the higher posts which offer’. It is unclear whether or not any nurses or potential nurses enrolled at the home science school at this point, but the courses there did become the core of a new venture a decade later.

In 1922, in response to various concerns about the state of nursing education, and advocacy from the Trained Nurses’ Association, the University of Otago council began planning a five-year nursing diploma. In consultation with the home science and medical schools, it approved a curriculum consisting of two years of university courses, two years of ‘ward work and general hospital training’, and a final year of specialised nursing education. An attractive feature of this programme was that it used existing courses at the home science school and hospital and would not require the council to employ any additional academic staff until the fifth year. Meanwhile, the government’s department of health was keen to see an advanced course for already-trained nurses, and suggested the fifth year of the proposed Otago diploma could become that course; it offered to send two senior nurses overseas to be educated as lecturers for the programme. Janet Moore headed to London and Mary Lambie to Toronto in 1925, with the fifth year/advanced programme scheduled to commence in 1926; meanwhile several women started the first years of the programme through the home science school.

Unfortunately, the scheme then fell apart due to a series of misunderstandings between the university and the health department. Neither had explicitly stated who was to pay the salaries of the specialist nursing lecturers. The university council assumed the health department’s involvement and support meant they would stump up the cash required, while the health department assumed the university would pay its own staff. Those council members who had only supported the project on the basis it would cost the university nothing stubbornly refused to commit any funding, even after the nurses’ association offered to pay a contribution. The health department proved equally stubborn over the matter. Admittedly the university was strapped for cash, but it is sad that a programme that could have changed the course of New Zealand nursing education collapsed over the cost of two salaries. Moore and Lambie approached Victoria College (later Victoria University of Wellington), where they got a more sympathetic response to a proposal for a short diploma course for already-registered nurses. The government proved more willing to offer funding for this course, which commenced in 1928 at Wellington Hospital, jointly supervised by Victoria, the health department and the hospital boards association. For 50 years the School of Advanced Nursing Studies, as it became known, was to provide New Zealand’s only advanced education for nurses. The first two students in Otago’s collapsed programme, who had already completed the first 4 years, went on to complete the new Wellington course. One of them, Winifred Fraser, applied to Otago for a diploma of nursing, becoming the one and only person awarded that qualification. Most of the other women partway through their course switched to home science.

After this unfortunate episode, the University of Otago kept out of nursing education for many decades. Meanwhile, dissatisfaction with New Zealand nursing education remained, with high attrition rates, a failure to keep up with new developments and a continuing focus on student nurses as a labour force rather than learners. In 1970 the government approached the World Health Organisation, which appointed Helen Carpenter (director of the University of Toronto’s nursing school) to review the current system. Her report (An improved system of nursing education for New Zealand) led to major reforms. The education of registered nurses shifted from the health sector to the tertiary education sector. Commencing at Wellington and Christchurch in 1973, technical institutes around the country established nursing schools, and registered nurse programmes at hospitals were gradually phased out (though hospitals continued to train community/enrolled nurses). The technical institutes also later developed advanced diploma courses in various clinical fields, taking over the role of the School of Advanced Nursing Studies.

One of Carpenter’s recommendations was that a proportion of nurses should be educated to a still higher level, through universities. She suggested that Otago’s preventive and social medicine department, along with the education departments at Victoria, Massey and Canterbury, could start by appointing a nurse to their academic staff, with a view to building up nursing research and later courses. Otago’s medical faculty proved largely supportive of the idea, but over the next decade various proposed schemes came to nothing. Meanwhile, Victoria and Massey began offering a few BA papers in nursing studies. Proposals from Otago included a diploma in nursing administration, and later a basic-level bachelor’s degree, but neither made it past the University Grants Committee. In 1979, faced with various proposals for new nursing courses, the UGC appointed a special committee on nursing education, which recommended turning down Otago and Massey’s proposals for basic degrees, and another from Auckland for a post-basic bachelor’s degree. Victoria, it suggested, could develop its existing programme into a full nursing degree, complete with clinical education, while Massey should continue its existing courses. Victoria approached Otago’s Wellington clinical school to see if they might cooperate in an undergraduate nursing degree. That scheme got quite advanced but eventually fell through due to the government’s unwillingness to supply funding. Victoria’s nursing programme went into abeyance for a while in the early 1980s, but it later built up a postgraduate school. There were many differing opinions about university-level nursing education but it was, generally, finance that prevented many a dreamed-of programme from getting going. In Dunedin, any sense of urgency for an undergraduate programme that would lead to nursing registration ended once the Otago Polytechnic opened its nursing school in 1984.

Of course, nurses did enrol in a variety of other University of Otago courses. A good example is nursing academic Beverley Burrell, who trained as a nurse at Dunedin Hospital in the 1970s. After developing an interest in education through the playcentre movement, she enrolled in education courses at the university, going on to complete a BA and MA in women’s studies. There was a close synergy between her nursing experience and her university study.

Robyn Beach leading a class in the ‘nursing – high acuity’ paper in the Centre for Postgraduate Nursing Studies premises in Oxford Terrace, Christchurch, 2012. Image courtesy of the Centre for Postgraduate Nursing Studies.

In the end, it was on the Christchurch campus that Otago finally got a successful programme specifically for nurses off the ground. The medical school there offered a wide range of postgraduate courses, undertaken by a variety of health professionals, including nurses; for instance, many nurses completed public health and mental health postgrad qualifications. With the government injecting money into ongoing clinical training for healthcare workers, and increasing demand for nursing-specific courses, in 1997 the Centre for Postgraduate Nursing Studies opened. Initially hosted by Christchurch’s Department of Public Health and General Practice, it grew quickly and soon became an independent centre. Christchurch nurses had long wanted a local alternative to the postgraduate nursing programmes offered by Massey and Victoria universities, but flexible teaching methods, including block courses and distance education, meant the new Christchurch courses soon had students from all over the South Island, and a few from further afield. Starting out with papers on nursing practice and mental health nursing practice, the centre soon developed a range of papers, some generic and others in specialist fields of practice. Students could complete a postgraduate diploma or master’s degree in health sciences, endorsed in nursing, or various shorter certificate courses in specialist fields; the centre also offered PhDs. From 2006 a new master of health sciences option allowed an alternative to the papers plus thesis requirement: students could now complete papers and a ‘clinically applied research practicum’ for an endorsement in ‘nursing – clinical’. This was an important development because it met the clinically-oriented master’s degree requirement for those who applied to the New Zealand Nursing Council for registration as a nurse practitioner, a new level of practice which included prescribing rights.

Beverley Burrell teaching a course for the ‘nursing – leadership and management’ paper in 2011. The class was held in the Philatelic Society rooms, one of many temporary premises used after the usual venues were closed due to earthquake damage. Image courtesy of the Centre for Postgraduate Nursing Studies.

As the nursing centre grew, so did its research. Staff attracted considerable research funding, including from the Health Research Council, and also benefited from Tertiary Education Commission funding targeted at developing research capability in nursing and other health professions which had not done well under the PBRF system. In 2008 Lisa Whitehead received the university’s early career award for distinction in research, recognising her achievements in research on the management of long-term conditions (a field of particular interest for the nursing centre). As its research capability grew, the centre attracted more PhD students from both New Zealand and overseas; by 2012 it had 10 PhD candidates enrolled among its 350 students and had the largest postgraduate programme on the Christchurch campus.

The Addington Raceway was another stand-in venue for nursing courses following the Christchurch earthquakes. Here it is set up ready for clinical teaching for the ‘health assessment and advanced nursing practice’ paper in 2011. Image courtesy of the Centre for Postgraduate Nursing Studies.

The nursing centre has never been short of initiative and has introduced a variety of new courses to meet needs in the health sector. In 2016 it enrolled the first students in perhaps its most exciting venture to date: a new master of nursing science degree, which allows people with a bachelor’s degree in any discipline to complete the professional education required for registration as a nurse in a concentrated two-year programme. While this type of programme has been available in North America for decades and in Australia for several years, it is the first qualification of its type in New Zealand and required new regulations from the Nursing Council. Finally, some 90 years after the first ill-starred attempt, the University of Otago is offering a course which leads to the registration of nurses!